Beacon Backstories: Messages

When someone asks you, outright, if you’re in love with them, what do you say?


Recording Process:
Super straightforward – guitar and vocal first, piano added after. I was aiming for a drumless mix and it turned out to be one of those rare songs that works equally well on piano and guitar.

This song was fun to write and if you’ve seen it live you may well know the story because it’s one I love to tell – suffice to say that I lied when I told you I wasn’t in love, but darlin’ you lied to me too is a real-life extract and the song is about concealing the truth as much as telling it. I’ll admit to not having always acquitted myself well in matters of the heart; but sometimes writing a song can right a situation in your head and provide those words you needed at the time but failed to find, and for that reason I find singing this song immensely satisfying (and it’s also quite slushy in its way, which works). The bridge is one of my favourite to sing, it’s quite close to the top of my range and I remember writing it thinking it was a bit of risk (putting things together in the studio is a good time to take risks). There are good practical reasons for playing this one early in a live set as the bridge acts as a good barometer for how well my voice is warming up – the rest of it being fairly low and comfortable. I try to write to the edges of my range wherever possible (it’s not that far!) because I think you can get some really good emotional tension at the top end, or by slipping into falsetto at just the right point – for that reason there are songs that I wouldn’t be able to guarantee would work at the start of a set, but this isn’t one of them (I’m thinking Flowers maybe, or Wish These Years Away, or something like Daughters of Mercy).

Feature Lyrics:

You’re so easy to love, it’s not like I can help it

Listen out for:

Piano run at 0:10 and on the entry to all the other verses. The spectacular Fabia Anderson very kindly did the honours on piano at the launch night (as well as treating us to a spellbinding solo opening to the second half) and gave this 4-note run some special attention; it’s still hummed by members of the band as Fabia’s solo whenever we play it live if she’s not there :)


More likely to get played than not, it usually fits in the set somewhere.